SOL

Continuing the line started in El porqué de las naranjas (MACK, 2014), Ricardo Cases investigates again the cliché of the Levantine coast. Approaching his work as if it was childs play consisting of representing the sun, the author is plunged into the blinding li ght of the Levantine summer seeking its essence, letting himself be carried away by the sensations and questioning how the sun deter mines the identity, aesthetics and local economy.I was born on a rocky, inhospitable planet dominated by a star that looms too clos e. My sky i...[Read more]